Publisher's Synopsis
Catalogue of Works on Alchemy and Chemistry, Exhibited at the Grolier Club New-York, Jan, 16th to Jan 26th, 1891 is a three part series that discusses works on alchemy and chemistry produced, written, or displayed by the Grolier Club. Known as one of the finest gentleman's clubs in New York City, The Grolier club was a private club, relegated only to men, and with the emphasis on including (if not exclusively) bibliophiles. The members collected, discussed, and above all, read books voraciously. Their deep passion for the printed word is what inspired their famous exhibits, including a variety of works from authors across the country and on every subject imaginable.
This catalog is a comprehensive listing of all books exhibited at the Grolier Club by author's last name. The second volume of this series begins in the A's and works through the alphabet until the Z's, listing 110 separate titles. For individuals interested in the Grolier collection and Grolier exhibits, this book is essential; for those looking for a vast array of titles on Alchemy and Chemistry, this book is very helpful; and for people interested in late nineteenth century books, this volume is very enlightening.
The Catalogue of Works on Alchemy and Chemistry, Exhibited at the Grolier Club New-York, Jan, 16th to Jan 26th, 1891 is a wealth of interesting titles from the late nineteenth century on books dealing with alchemy and chemistry. For readers interested in alchemy and chemistry, this book can help them find new titles to explore on these topics and broaden their alchemic horizons exponentially!
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.