Publisher's Synopsis
Excerpt from The Prince of India, Vol. 2: Or Why Constantinople Fell
She was aware of the admiration which went with her, and the sensation was of walking through a purer and brighter sunshine. Nor did she affect to put aside the triumph there certainly was in the demonstration; but she accounted it the due of charity - a triumph of good work done for the pleasure there was in the doing. At the basin mentioned as the landward terminus of the garden the progress in that direction stopped. Thence, after gracious attentions to the women and children there, the Princess set out for the summit of the promontory. The road taken was broad and smooth, and on the left hand lined from bottom to top with pine trees, some of which are yet standing. The summit had been a place of interest time out of mind. From its woody cover, the first imbabi tants beheld the Argonauts anchor off the town of Amycus, king of the Bebryces; there the vengeful Medea practised her incantations; and descending to acknowledged history, it were long telling the notable events of the ages landmarked by the hoary height. When the builder of the palace below threw his scheme of improvement over the brow of the hill, he constructed water basins on different levels, surrounding them with raised walls artistically sculptured; between the basins he pitched marble pavilions, looking in the distance like airy domes on a Cyclopean temple; then he drew the work together by a tesselated pavement identical with the floor of the house of Caesar hard by the Forum in Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
