Publisher's Synopsis
2nd to 9th of August 2015...As shimmering forms become distorted through emergent and critical practice, the viewer is left with a clue to the inaccuracies of our culture.If someone does a trip, then he can experience something ...You can see blue bushes, where nothing is supposed to be blue, strange gray empty fields, because the shutter did not trigger, a subway station in the nowhere looks like completely antisocial Berlin, again a strangely gray field, - does anyone know, how often the shutter of Lomo Diana mini cameras fail?Shining suns and corners of houses, blurred gate entrances, something that looks like the deserted Central Bus Station (ZOB) in Hanover (the aggressive migrants there are better not photographed), a hingerotztes bike, strange in gloom, lost eggs in nowhere, abandoned toilet urinals, blurred figures, bottles filled with curious drinks, a red curtain and a mysterious strange woman.This is life with the Diana mini as a constant companion.Art or film waste?Anyone traveling with a lomographic camera can see better how colorful life can actually be, if you do not look too closely. Lomography is a phenomenon in its absurdity of action. She can be addictive, she can leave you cold. In any case, it is a piece of freedom against the illusion of digitalisation in photography that has turned a camera into a computer that accidentally takes pictures.The examination of lomographic images makes one dizzy.And happy.Rainer StrzolkaRainer Strzolka (Berlin, Germany) makes photos and conceptual artworks. By studying sign processes, signification and communication, Strzolka makes work that generates diverse meanings. Associations and meanings collide. Space becomes time and language becomes image.His photos are based on inspiring situations: visions that reflect a sensation of indisputability and serene contemplation, combined with subtle details of odd or eccentric, humoristic elements. With a subtle minimalistic approach, he wants the viewer to become part of the art as a kind of added component. Art is entertainment: to be able to touch the work, as well as to interact with the work is important.His works question the conditions of appearance of an image in the context of contemporary visual culture in which images, representations and ideas normally function. By creating situations and breaking the passivity of the spectator, he creates work in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found. The work is aloof and systematic and a cool and neutral imagery is used.His practice provides a useful set of allegorical tools for manoeuvring with a pseudo-minimalist approach in the world of photography: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination. Rainer Strzolka currently lives and works in Brela, Croatia.
