Publisher's Synopsis
Seminar paper from the year 2016 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Bremen, course: Concepts of Race and Racism, language: English, abstract: When we look at the history of African-American protest, two of the most prevalent issues are racial profiling and institutional brutality. And when the topics of racial profiling and institutional abuse of power, namely police brutality, are discussed, two facts become abundantly clear: (1) The two are closely related. The tendency of police in the United States to show a bias towards specific groups and the even more disturbing tendency of police officers to use unnecessary physical force against those specific groups unfortunately tend to go hand in hand. (2) The issues are not as recent as some would think, with the major evidence of this being the ubiquity of said matters in popular African-American media culture throughout history. However, it is important to acknowledge one fact: Movements and reactions to fight racial profiling and police brutality against African-Americans have become increasingly strong with activist groups having managed to use popular media to their advantage to spread a message of awareness and resistance. The fact that almost all modern liberal news providers have sections for the coverage of issues related solely to African-Americans proves that there has been a surge in media interest in the matter as well as the movements which are created as a counterculture to the popular zeitgeist of apathy and obedience to a system which still promotes institutional racism and shows a terrifying tendency to systematically disregard the lives of African-Americans. Music has always played a major role in the fight against racial bias, especially covering issues of racial profiling and police brutality. From Jazz to Rap music, African-American musicians have, for many years, chosen to use music as a way to challenge political and institutional systems
