Publisher's Synopsis
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... PLAYERS AND AUTHORS I Saw on a bus an advertisement of a play called Come Out of the Kitchen. Above the title was the name in very prominent characters of Miss Gertrude Elliott. Below the title was a line in characters so tiny that 1 could not decipher them. However, the bus stopped. I went close, and read the name of Alice Duer Miller, known only to me from the fact that I had often seen it in the American papers attached to the question: " Are women people?" It may be, on the other hand it may not be, that Miss Alice Duer Miller has a clause in her play-contracts, as I have in mine, obliging the theatrical manager producing the play to print the name of the author on all advertising matter. In either case, the appearance of Miss Alice Duer Miller's name on that particular advertisement was as nearly perfectly futile as makes no matter, for not one person in a thousand would read it or notice it at all. There can be no doubt that in Great Britain the name of Miss Gertrude Elliott has incomparably more advertising value than that of Miss Alice Duer Miller. But even so the disproportion between the types of the two names was excessive. I am not, however, among those playwrights who kick angrily against the great importance given to players in theatrical advertising. Theatrical advertising is mainly under the control of PLAYERS AND AUTHORS players, who are human. If it was under the control of authors, players would not have much of a show, authors being equally human. And there is a good reason for the players' advantage; the public is more interested in players than in authors. It sees players; it likes them, loves them, worships them. Players feast the eye. Authors are seldom seen; discreet authors never. And when authors are seen they...