Publisher's Synopsis
In 1986 a Cabinet Minister of the South African-appointed transitional Government of National Unity in Namibia stated that Namibia could not afford "the luxury of a Wild West open range situation where every Tom, Dick and Harry comes and goes as they please". What lies behind this view is an image of Namibia as a frontier in popular South African imagination. This book is about the projection of these frontier images in literature set in Namibia and what these metaphors reveal about the metropolitan projector. Dorian Haarhoff explores the dynamics of 18th-century Dutch journals by hunters and explorers, 19th-century British travelogues, German colonial literature written between 1884 and 1915, and 20th-century South African fiction in English and Afrikaans. In addition, he provides a survey of indigenous literary response, interpreting Namibian literature as "illuminating the silences in the frontier texts and as a denial of frontier metaphor".;This book is about the projection of these frontier images in literature set in Namibia and what these metaphors reveal about the metropolitan projector. Dorian Haarhoff explores the dynamics of eighteenth-century Dutch journals by hunters and explorers, nineteenth-century British travelogues, German colonial literature written between 1884 and 1915, and twentieth century South African fiction in English and Afrikaans. In addition, he provides a survey of indigenous literary response, interpreting Namibian literature as "illuminating the silences in the frontier texts and as a denial of frontier metaphor".;"The wild South-West" will be warmly welcomed by students of southern Africa, cultural studies and literature.;"Dorian Haarhoff is a Lecturer in the Department of English at the University of Namibia. He is a well-known poet and dramatist.".
