Publisher's Synopsis
A formidable new generation of American film-makers are currently in their prime: Paul Thomas Anderson, Alexander Payne, Sofia Coppola, David Fincher, Spike Jonze, Wes Anderson, to name but six. Call them æThe Sundance KidsÆ. . . A conspicuous number of these talents first kick-started their careers in the workshops of Robert RedfordÆs Sundance Institute in Utah, or made the big time after screening their work at the Sundance Film Festival. Nowadays, acclaimed movies such as PayneÆs Sideways, JonzeÆs Being John Malkovich and CoppolaÆs Lost in Translation have reminded people of that great period in the 1970s spearheaded by Scorsese, Altman, and Sofia CoppolaÆs father, Francis. In this comprehensive study, James Mottram traces the roots of this new generation to Steven SoderberghÆs Sex, Lies and Videotape û a low-budget tour de force that premièred at Sundance en route to conquering Cannes which persuaded some of the æSundance KidsÆ to first pick up a camera. Mottram proceeds to analyse each director and their oeuvre, placing each carefully within the context of the ever-changing landscape of American cinema over the last fifteen years. And Mottram poses the question û are we witnessing a new Golden Age of film-making?
