Publisher's Synopsis
Excerpt from The Stones of Venice the Fall the Poetry of Architecture Poems Giotto and His Works in Padua, Vol. 3
Prosperity, its streets were inwrought with rich sculpture, and even (though in this, as before noticed, Venice always stood supreme) glowing with color and with gold. Now, therefore, let the reader, - forming for himself as vivid and real a con ception as he is able, either of a group of Venetian palaces in the fourteenth century, or, if he likes better, of one of'the more fantastic but-even richer street scenes of Rouen, Ant werp, Cologne, or Nuremberg, and keeping this gorgeous image before him, - go out into any thoroughfare; representa tive, in a general and characteristic way, of' the feeling for domestic architecture in modern times let him, for instance, if in London, walk once up and down Harley Street, or Baker Street, or Gower Street and then, looking upon this picture and on this, set himself to consider (for this is to be the sub ject of our following and final inquiry) what have been the causes which have' induced'so vast a change in' the European mind.
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