Publisher's Synopsis
What is a Good Edition?A good edition should be a complete edition, ungarbled and unabridged. If the author is a classic, the format of the copy chosen should in some way represent the style of the author. Gibbon, for instance, should be in large octavo or quarto, with print of a size to correspond. This is not always possible, for English editions of books often aim at mere cheapness, and of many great authors there exist no good editions. Thus there is no suitable edition of the classics printed in England, as there is and for long has been in France. A good edition is not necessarily an expensive edition, nor is it necessarily noble and generous in print and margin. The editions known as the 'Globe' editions of Pope and others are good editions because (1) They are complete; (2) Each one has been taken in hand and superintended by the most competent scholar and has notes sufficient but not pedantic; (3) Because they are well printed on paper of fair quality by printers who give wages liberally to careful press readers; (4) Because each work being a work of the first or classic order, it is bound in a simple and unaffected style, without meretricious gold or tawdry ornament. Now the 'Globe' editions are fitting in their place as types of right editions of the cheap kind. I will now take right editions of the more liberal and expensive kind. The 'Cambridge' Shakespeare, the last issue, each play in a separate volume, is right because (1) The print, paper, spacing, and simplicity of binding, are suited to the dignity of the work; (2) The edition has had brought to it fulness of knowledge and rightness of judgment; (3) Each volume is light to handle and easy to hold, and flexible in opening.
