Publisher's Synopsis
Originally published in 1912, this book by composer and music critic Cyril Scott explores the connections between modernist art and music, arguing that the same principles of innovation and abstraction that define modernist literature and visual art can be found in the music of composers such as Debussy, Stravinsky, and Schoenberg.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
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