Publisher's Synopsis
From the intro: "In 1813 Europe was busy watching the career of the Corsican Giant--which was nearing its end. Having reached the summit of power, and put his foot on the neck of Europe, Napoleon was suddenly hurled down from his dizzy height. And yet in the midst of stirring events and the din of arms, people found time to pay attention to important literary productions. A curious book, "The Strange Narrative of Peter Schlemihl," by Louis Adelbert von Chamisso, which made its first appearance in Germany in 1813, aroused an ever increasing interest, in spite of the distraction of the public mind, until the name of the author became world-famous. Chamisso was by birth a Frenchman, having been born at the castle of Bon-Court in Champagne, on January 27, 1781.1 On the outbreak of the French Revolution our author left France with his parents; and in 1795 we find them in Bayreuth, which then belonged to the King of Prussia, the Margrave of Anspach having sold the town to his Prussian Majesty in 1791. Chamisso's parents at last came to Berlin, and young Adelbert was appointed page to Queen Louise. This famous queen, wife of Frederic William II. and mother of Frederic William III., took a lively interest in the young page and decided to complete his somewhat neglected education. A commission in the army was secured for him, he was made ensign and soon afterwards lieutenant. Napoleon having in the meantime become First Consul, he recalled the French emigrants, and Chamisso's parents availed themselves of the permission and returned to their home, but they nevertheless advised their son to remain in Prussian service. Adelbert obeyed them, although he felt far from happy in Berlin. The service of page did not please him, and his correspondence is full of passages revealing the melancholy state of his mind. The court atmosphere was stifling him, and his poverty caused him a great deal of humiliation. We see him, at that time, as a young man of a serious and independent disposition, a dreamer and a sceptic, timid and naive, dissatisfied with his position as page and as soldier, unhappy in his exile, his misery and his solitude! But at last Chamisso found consolation in work. With great ardour he applied himself to the study of the German language and literature, and particularly to poetry and philosophy. He learned Greek, and the Iliad became his constant companion. Klopstock and Schiller attracted him greatly; but he also read J. J. Rousseau, Voltaire and Diderot. He published several poems in the language of his adopted country, compositions distinguished by an originality of style and a peculiar vigour. Chamisso's first work is supposed to have been "The Count de Comminges," written in 1801 or 1802. It is not an original work, but rather an imitation or translation of a drama from the pen of Baculard d'Arnaud, produced in 1790. Later on he read Wieland and Goethe, and in 1803 appeared his Faust, in which the influence of the philosophy of Fichte made itself felt. It was also in this year that love, by the side of poetry and metaphysics, occupied the mind and heart of the young lieutenant. Chamisso fell in love with Madame Ceres Duvernay, a young French coquette widow, of whom--unlike Sam Weller--he did not learn to beware. He had made her acquaintance in the salon of the banker Ephraim, and asked her to marry him. Madame Duvernay, however, was a practical Frenchwoman and refused the legitimate love of the poor lieutenant! This love affair and its sad ending increased Chamisso's melancholy and his inclination for solitude. The war with France then broke out, and Chamisso tasted the bitterness which is so often the lot of that unhappy product of modern civilization and political circumstances: the naturalized alien!"
