Publisher's Synopsis
Excerpt from The Mariner of St. Malo: A Chronicle of the Voyages, of Jacques Cartier
How like or unlike the features of Cartier this picture in the town hall may be, we have no means of telling. Painted probably in 1839, it has hung there for more than seventy years, and the record of the earlier prints or drawings from which its artist drew his inspiration no longer survives. We know, indeed, that an ancient map of the eastern coast of America, made some ten years after the first of Cartier's voyages, has pictured upon it a group of figures that represent the landing of the navigator and his followers among the Indians of Gaspe. It was the fashion of the time to attempt by such decorations to make maps vivid. Demons, deities, mythological figures and naked savages disported themselves along the borders of the maps and helped to decorate unexplored spaces of earth and ocean. Of this sort is the illustration on the map in question. But it is generally agreed that we have no right to identify Cartier with any of the figures in the scene, although the group as a whole undoubtedly typifies his landing upon the seacoast of Canada.
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