Publisher's Synopsis
The Inheritors: An Extravagant Story (1901) is a quasi-science fiction novel on which Ford Madox Ford and Joseph Conrad collaborated. It looks at society's mental evolution and what is gained and lost in the process. Written before the first World War, its themes of corruption and the effect of the 20th Century on British aristocracy appeared to predict history. It was first published in London by William Heinemann and later the same year in New York by McClure, Phillips & Co.In the novel, the metaphor of the "fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything.Plot summaryThe authors introduce the story via science fiction tropes such as the uncanny - coincidences, ESP, unearthly lighting effects, distorted visions, supernatural aural frequencies and scenes dissolving into another - pointing to the underlying threat of instability that drives the novel. The story is told through the eyes of Arthur, a writer turned journalist who feels he is compromising his art. Although Arthur at first holds to high ideals (he values "literature" over journalism, sacrificial literary types over opportunists), he gradually moves away from them because he wants to be a somebody.After first compromising his work, and obsessed with the woman, he is seduced into thinking that he has a chance with her. He further believes he has a choice between being phased out without making his mark or being "one of them," one of the inner circle who inherits power along with Them. She accurately chooses him for his weaknesses: his sense of failure and impotence as a writer with a need for significance; his isolation and willingness to join society; his snobbery and openness to flattering attention. While her reasons for bringing Arthur into play are not clear at first, they are complex. Inevitably Arthur is her tool for bringing down her opponent. For the authors, Arthur serves as an observer and an experiment at the hands of the Dimensionists, proving their effectiveness on an individual's psyche.The story is a Machiavellian labyrinth involving the British Government's tenuous support for a railway baron, a bid to annex Greenland, and a tilt at party leadership. Themes of unrealised potential, the cold-blooded manoeuvering, and the upward climb of the influential mystery woman, fictionalise the intricacies and interactions of class and power in Britain at the time. Two contrasting mindsets of society are delineated by generational values or lack of them and the changes they portend for the everyday people they effectively rule.........Joseph Conrad (born Józef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.
