Publisher's Synopsis
A collection of short stories about people and animals by the legendary Emily Carr that mingle the sad and the joyous, the cruel and the tender, in her unique style.
The Heart of a Peacock is a collection of 51 short stories by the legendary writer and painter Emily Carr. The stories are arranged in themes such as her experiences with Native people, her adventures with various beloved creatures (particularly birds), her love of nature, and a whole section of stories about her mischievous pet monkey Woo. Together, they underline Emily Carr's place as a writer with the sharp yet tender eye of an artist, with a deep feeling for the tragedies of life and with a rich sense of the comic. The Heart of a Peacock has been in print ever since its publication in 1953, and, like her other books, has been read and loved by a couple of generations. The book is enhanced by seven of Carr's own line drawings of scenes from nature.
Carr's first book, published in 1941, was titled Klee Wyck, won the Governor General's Literary Award for non-fiction. Her writing is vital and direct, aware and poignant, as well regarded today as when first published.
The Heart of a Peacock is a collection of 51 short stories by the legendary writer and painter Emily Carr. The stories are arranged in themes such as her experiences with Native people, her adventures with various beloved creatures (particularly birds), her love of nature, and a whole section of stories about her mischievous pet monkey Woo. Together, they underline Emily Carr's place as a writer with the sharp yet tender eye of an artist, with a deep feeling for the tragedies of life and with a rich sense of the comic. The Heart of a Peacock has been in print ever since its publication in 1953, and, like her other books, has been read and loved by a couple of generations. The book is enhanced by seven of Carr's own line drawings of scenes from nature.
Carr's first book, published in 1941, was titled Klee Wyck, won the Governor General's Literary Award for non-fiction. Her writing is vital and direct, aware and poignant, as well regarded today as when first published.
