Publisher's Synopsis
Starting with the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and Eastern Bloc, Gamboni investigates other instances of destruction around the globe, uncovering a surprisingly widespread phenomenon. As he demonstrates through analyses of nineteenth- and twentieth-century incidents in the United States and Europe, a complex relationship exists between the evolution of modern art and a long history of iconoclasm. Gamboni probes the concept of artists' rights, the power of political protest, and the ways in which iconoclasm offers a unique interpretation of society's relationship to art and material culture. Compelling, thought-provoking, and featuring more than one hundred and fifty illustrations, The Destruction of Art forces us to rethink the ways in which we interact with art and its power to shock or subdue.