Publisher's Synopsis
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. Excerpt: ... A FASCINATING BOOK. Mr. Alan Cole's carefully edited translation of M. Lefebure's "History of Embroidery and Lace" (H. Grevel and Co.) is one of the most fascinating books that has appeared on this delightful subject. M. Lefebure is one of the administrators of the Musee des Arts Decoratifs at Paris, besides being a lace manufacturer; and his work has not merely an important historical value, but as a handbook of technical instruction it will be found of the greatest service by all needlewomen. Indeed, as the translator himself points out, M. Lefebure's book suggests the question whether it is not rather by the needle and the bobbin, than by the brush, the graver, or the chisel, that the influence of woman should assert itself in the arts. In Europe, at any rate, woman is sovereign in the domain of art needlework, and few men would care to dispute with her the right of using those delicate implements so intimately associated with the dexterity of her nimble and slender fingers; nor is l there any reason why the productions of embroidery should not, as Mr. Alan Cole suggests, be placed on the same level with those of painting, engraving, and sculpture, though there must always be a great difference between those purely decorative arts that glorify their own material and the more imaginative arts in which the material is, as it were, annihilated, and absorbed into the creation of a new form. In the beautifying of modern houses it certainly must be admitted--indeed, it should be more generally recognised than it is-- that rich embroidery on hangings and curtains, portieres, couches, and the like, produces a far more decorative and far more artistic effect than can be gained from our somewhat wearisome English practice of covering the walls...
