Publisher's Synopsis
A London Life is a novella by Henry James, first published in Scribner's Magazine in 1888. The plot revolves around a crumbling marriage and its impact on many other people, especially Laura Wing, the sister of the soon-to-be-divorced wife. Laura is a classic Jamesian "central consciousness," whose reflections and emotions color the presentation of the storyline and the other characters. The tale is notable for its straightforward, even hard-edged approach to sexuality and divorce. This might reflect the influence of French naturalism on James during the 1880s.
Laura Wing, an impoverished American girl, is visiting her sister Selina Berrington in London. Selina's husband Lionel, boorish and often drunk, is preparing to divorce his wife for her adultery with Charlie Crispin. Laura challenges Selina about her affair and doubts Selina's protestations of innocence. Lady Davenant, an elderly friend of the family, counsels Laura not to take her sister's marital troubles so hard.
Laura meets a pleasant but boring American named Wendover, who becomes a suitor. Eventually, after a tempestuous and (for the reader) entertaining scene at the opera, Selina leaves her husband and goes to Brussels with Crispin. Laura spurns Wendover's marriage proposal and pursues her sister to Brussels, where she accomplishes nothing. Laura finally goes back to America, where Wendover follows her though there is no assurance as to how their future will play out. The story ends with a reminder that the case of Berrington v. Berrington and others is upcoming in the courts.
The Outcry is a novel by Henry James published in 1911. It was originally conceived as a play. James cast the material in a three-act drama in 1909, but like many of his plays, it failed to be produced. (There were two posthumous performances in 1917.) In 1911 James converted the play into a novel, which was successful with the public. The Outcry was the last novel he was able to complete before his death in 1916. The storyline concerns the buying up of Britain's art treasures by wealthy Americans.
To cover the gambling debts of his daughter Kitty Imber, the widowed Lord Theign is planning to sell his beautiful painting Duchess of Waterbridge by Sir Joshua Reynolds to American billionaire Breckenridge Bender. Hugh Crimble, a young art critic, argues against the sale, saying that Britain's art treasures should stay in the country. He is supported by Theign's perceptive daughter, Lady Grace. When the newspapers get wind of the potential sale of the Reynolds, they raise a patriotic outcry, which delights Bender.
Meanwhile, Crimble has found another painting in Theign's collection that he suspects is a rarity by Mantovano. (James thought this artist was a fiction, but it later turned out that there really was an obscure painter of that name.) Eventually, Crimble's hunch about the Mantovano turns out to be correct. Theign decides to donate the Mantovano to the National Gallery and not to sell the Reynolds to Bender. His friend Lady Sandgate also donates her family's Sir Thomas Lawrence painting to the Gallery, which unites her and Theign.
