Publisher's Synopsis
The Ballad of the White Horse is a poem by G. K. Chesterton about the idealised exploits of the Saxon King Alfred the Great, published in 1911. Written in ballad form, the work has been described as one of the last great traditional epic poems ever written in the English language.The poem narrates how Alfred was able to defeat the invading Danes at the Battle of Ethandun under the auspices of God working through the agency of the Virgin Mary. In addition to being a narration of Alfred's military and political accomplishments, it is also considered a Roman Catholic allegory. Chesterton incorporates a significant amount of philosophy into the basic structure of the story. Prefatory NoteChesterton begins his work with a note (in prose) declaring that the poem is not historical. He says that he has chosen to place the site of the Battle of Ethandune in the Vale of the White Horse, despite the lack of concrete evidence for this placement (many scholars now believe it was probably fought at Edington, Wiltshire). He says that he has chosen to include legends about Alfred, even if they are historically unlikely.DedicationThe poem opens with a verse dedication to Chesterton's wife. He begins by commenting on Alfred and his legacy. Chesterton asks his wife to remember their travels together to research the poem, and closes with verse that seems to have been meant for her personally. Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out."Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.Early lifeChesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.He was baptised at the age of one month into the Church of England, [10] though his family themselves were irregularly practising Unitarians.According to his autobiography, as a young man he became fascinated with the occult and, along with his brother Cecil, experimented with Ouija boards.Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.
