Publisher's Synopsis
He hates everyone. He loathes humanity. But it isn't for reasons that you think. When he refers to us as clay and he fire, he depicts how he sees us with angst. The fact that we are conscious, live and breathe and do not embrace that fact is in his words "a great insult to the universe and all it has to offer". We are capable of so much more, but we do nothing about it. So if one asks why worship him it is because he knows we can be more. Yes, the creator loves you the way that you are, but he believes you can be better. He sees something in the creation itself. That is why he influences the world. I have talked to him. He does not influence the world because he's seeking revenge. Some even say he is the great tempter. That is only half true. He is a tester, not tempting. He is trying to see if we choose to be better and more powerful than what we were originally born as.
Notes to reader:Indentions may be common in other books, but I decided for creative purposes not to include them in my book. The formatting, spelling errors, cruelly presented grammar is simply accepted by the author.
Also, the book may sound confusing, contradictive, nonsensical, out-of-sorts and incoherent. That is understood. I leave the book as it is. A businessman is to be interviewed. His discussion with a reporter leads him to speak of the "old country" before the war. It was a place where giants roamed among black magic.
The Civilian War was the first disruption caused by the Trading Company, a corporation who ruled through an economic regime. Their goal was to remove an entire culture from existence. His mother witnessed this during her emotional romance with a friend she considered a sister. He grew up hearing about it.
Soon, the interview is interrupted by an officer who interrogates the businessman about a murder that took place in London. The businessman explains he was visiting his uncle, while speaking with an archaic presence who intended to teach him a philosophy. This is written as an experimental occult project. It is free-for-all writing style through a first-person expression. Done without restrictions, the work is a theoretical ritual.
It deals with the myth of Tartaria, occulticism, political philosophy, esoteric history, madness, evil and demonology. Rituals, diary entries and communication with Djinn occur throughout the unique narrative. Written in the manner of Carl Jung's Red Book, Fyodor Dostoevsky's Notes From Underground and Marcus Aurelius' Meditations. The narrator's firsthand account with the entities known as Djinn. From interacting with them and seeing their "other world", to their philosophical teachings and experimental hierarchy, the narrator learns from them a "New Way" based on something lost long ago.
Once a great kingdom, in an alternate historical timeline, under the reign of the Morning Star, who is known as the Millennial King, the Grand Tartary has become a place where Nephilim Giants and humanity succumb to Extraterrestrial encounters and a fascist regime promoting death to spirituality, and the ways of an economical-governing body.
Disowning the Morning Star's rule over Tartarus, the Purgatory placed on Earth, after the Apocalypse occurred thousands of years before, this elitist group of people are on the rise. Through wars and defilement, the narrator reflects on his mother's life while seeing the world once-before comes to an end.
To defend the nature of the Rulers, and the authentic essence of the world, the Djinn advise him a path to liberate humanity and retain their freedom and obtain superiority to the artificial mechanism that dares to parasitically overthrow the Morning Star's dominion.
