Publisher's Synopsis
I've been collecting and telling stories for a couple of decades now, having had several of my own fictional works published in recent years. My particularly focus is on short story writing in the realms of magical realities and science fiction fantasies.
I've always drawn heavily on traditional folk and fairy tales, and in so doing have amassed a digital collection of many thousands of these tales from around the world. It has been one of my long-standing ambitions to gather these stories together and to create a library of tales that tell the stories of places and peoples around the world.One of the main motivations for me in undertaking the project is to collect and tell stories that otherwise might be lost or, at best, be forgotten by predominantly English-speaking readers. Given that a lot of my sources are from early collectors, particularly covering works produced in the late eighteenth century, throughout the nineteenth century, and in the early years of the twentieth century, I do make every effort to adapt stories for a modern reader. Early collectors had a different world view to many of us today, and often expressed views about race and gender, for example, that we find difficult to reconcile in the early years of the twenty-first century. I try, although with varying degrees of success, to update these stories with sensitivity while trying to stay as true to the original spirit of each story as I can.I also want to assure readers that I try hard not to comment on or appropriate originating cultures. It is almost certainly true that the early collectors of these tales, with their then prevalent world views, have made assumptions about the originating cultures that have given us these tales. I hope that you'll accept my mission to preserve these tales, however and wherever I find them, as just that. I have, therefore, made sure that every story has a full attribution, covering both the original collector / writer and the collection title that this version has been adapted from, as well as having notes about publishers and other relevant and, I hope, interesting source data. Wherever possible I have added a cultural or indigenous attribution as well, although for some of the titles, the country-based theme is obvious.This volume, Tales from the Meddahs, is the first in a set of collections covering indigenous tales from what we in Europe know now as The Middle East. Tales from the Meddahs covers a wide range of sources and tales that have emerged from the post-Byzantine traditions of the Turkish peoples.These collections will grow over coming years to tell lost and forgotten tales from every continent, and even then, I'll just be scratching the surface of the world's lore and love. That's the great gift in storytelling. Since the first of our ancestors sat around in a cave, contemplating an ape's place in the world, we have, as a species, continued to tell each other stories of magic and cunning and caution and love. All those years ago, when I began to read through tales from the Celts, tales from Indonesia, tales from Africa and the Far East, tales from everywhere, one of the things that struck me clearly was just how similar are our roots. We share characters and characteristics. The nature of these tales is so similar underneath the local camouflage. Human beings clearly share a storytelling heritage so much deeper than the world that we see superficially as always having been just as it is now.
