Publisher's Synopsis
Excerpt from Style in Musical Art: An Inaugural Lecture Delivered at Oxford on March 7, 1900
Turning now to the subject which is proposed for our consideration to-day, it must be confessed that one can hardly think of style in man or nature or art without being importunately haunted by a familiar French pro position, which conveys to the superficial mind the view that manner counts for more than man. No doubt the familiar 'le style c'est l'homme' compares unfavourably with the more ancient saying 'by their fruits ye shall know them, ' but it is probable that it was not intended to attribute so much importance to externals as the aptitude of men for misunderstanding things which are too tersely stated leads them to infer. There are thousands of things by which a man's nature may be gauged besides style. Everything that is part of him may in some.
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