Publisher's Synopsis
There are curved stories here, intrigues and quests whose exuberance of plot and sense of farcical immersion in the world of appearances is rendered with a light touch and a sure command of tone, staging the conflict between the mind's drift and the "inflexible etiquette" of form (Gerard Manley Hopkins's "soft sift / In an hourglass"). The making of these condensed dramas is often the unmaking of the person speaking, whose "frets and fresh starts" reveal an original sensibility concerned not with self-display but with a general comedy of wrong moves. Intrepid, cross-pollinated, oblique, Mark Ford has been called an American Philip Larkin and an English John Ashbery, but in fact he is like no one else, and only occasionally like himself.
