Publisher's Synopsis
Excerpt from Selected Czerny Studies, Vol. 3: Revised, Edited and Fingered With Annotations
The idea of striking several notes simultaneously, but not holding them the same length of time is by no means new. Weber uses it at the opening of his Con we find it again in gottschalk'shome Sweet Trovatoreand in the Coda of his Marche de Nuit. When carefully handled the effect is quite or.
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