Publisher's Synopsis
As all scholars increasingly use digital tools to support their research, and every internet user becomes increasingly used to data being available, elucidating and engaging with the creative aspects of Digital Humanities work is of increasing importance. This volume explores the practice of making new tools, new images, new collections and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective.
