Publisher's Synopsis
Alongside more than 130 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: a poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at the age of eight; his time as a student at New York's famed High School of Music & Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York's art and literary circles. Sorel charts the highlights of his remarkable career as the "young lefty becomes an older lefty," and, in magazines and newspapers, murals, cartoons, and comic strips, he steadily lampooned--and celebrated--American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR to the present day--with the candour and depth of insight that could come only from someone who lived through it all--revealing the uproarious ways in which the personal and political collide in his mordant artwork.
