Publisher's Synopsis
Excerpt from Problems of Modern Music: The Princeton Seminar in Advanced Musical Studies
By way of introduction we may sketch in the background from which this mid-century stock-taking grew, and perhaps add a few comments of our own.
The first half of the 2otb century passed under the sign of violent antitheses. First there was revolutionary dissolution, followed by severe, tradition-oriented concentration; emphatic subjectivity, then dogged objectivity and studied collectivism, The same extremes can be detected in the constituent features of music. Form became so fragmented that its dangling remnants could hardly be detected, but subsequently it solidified, triumphantly rediscovering age-old esthetic tenets and then petrified.
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