Publisher's Synopsis
Music and Musicians: Essays and Criticisms is a collection of essays and critiques written by Robert Schumann, a German composer, critic, and music theorist. The book was first published in 1877 and is considered to be one of the most influential works on music criticism.The book is divided into two parts. The first part contains essays on various topics related to music, including the nature of music, the role of the musician, and the relationship between music and language. The second part consists of critiques of works by several composers, including Beethoven, Schubert, and Chopin.Throughout the book, Schumann offers his unique perspectives on music and its place in society. He argues that music is a universal language that can communicate emotions and ideas that are difficult to express in words. He also emphasizes the importance of the musician in creating and interpreting music, noting that the best musicians are those who are able to convey the emotions and ideas of the composer through their performances.Schumann's critiques of specific works are also notable for their depth and insight. He provides detailed analyses of each piece, discussing their structure, harmony, and melody. He also offers his opinions on the strengths and weaknesses of each work, often providing suggestions for how they could be improved.Overall, Music and Musicians: Essays and Criticisms is a must-read for anyone interested in music criticism, music theory, or the history of music. Schumann's insights into the nature of music and the role of the musician continue to be relevant today, making this book a timeless classic.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
