Paperback (21 Dec 2018)
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This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his History of Caricature. A second essay analyses how these weird creatures infiltrate the image borders and the frames of Ensor's paintings in order to disturb the 'normal' world.
| ISBN: | 9789076714516 |
| Publisher: | BAI NV |
| Imprint: | BAI |
| Pub date: | 21 Dec 2018 |
| DEWEY: | 759.9493 |
| DEWEY edition: | 23 |
| Language: | English |
| Number of pages: | 111 |
| Weight: | 526g |
| Height: | 221mm |
| Width: | 261mm |
| Spine width: | 11mm |
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