Publisher's Synopsis
Geothe's fourteen hundred Maxims and Reflections reveal some of his deepest thought on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. Although variable in quality, the vast majority have a freshness and immediacy which vividly conjure up Goethe the man. They make an ideal introduction to one of the greatest of European writers.1There is nothing worth thinking but it has been thought before; we must only try to think it again.2How can a man come to know himself? Never by thinking, but by doing. Try to do your duty, and you will know at once what you are worth.3But what is your duty? The claims of the day.4The world of reason is to be regarded as a great and immortal being, who ceaselessly works out what is necessary, and so makes himself lord also over what is accidental.5The longer I live, the more it grieves me to see man, who occupies his supreme place for the very purpose of imposing his will upon nature, and freeing himself and his from an outrageous necessity, -to see him taken up with some false notion, and doing just the opposite of what he wants to do; and then, because the whole bent of his mind is spoilt, bungling miserably over everything.6Be genuine and strenuous; earn for yourself, and look for, grace from those in high places; from the powerful, favour; from the active and the good, advancement; from the many, affection; from the individual, love.7Tell me with whom you associate, and I will tell you who you are. If I know what your business is, I know what can be made of you.8Every man must think after his own fashion; for on his own path he finds a truth, or a kind of truth, which helps him through life. But he must not give himself the rein; he must control himself; mere naked instinct does not become him.9Unqualified activity, of whatever kind, leads at last to bankruptcy.10In the works of mankind, as in those of nature, it is really the motive which is chiefly worth attention.11Men get out of countenance with themselves and others because they treat the means as the end, and so, from sheer doing, do nothing, or, perhaps, just what they would have avoided.12Our plans and designs should be so perfect in truth and beauty, that in touching them the world could only mar. We should thus have the advantage of setting right what is wrong, and restoring what is destroyed.13It is a very hard and troublesome thing to dispose of whole, half-, and quarter-mistakes; to sift them and assign the portion of truth to its proper place.14It is not always needful for truth to take a definite shape; it is enough if it hovers about us like a spirit and produces harmony; if it is wafted through the air like the sound of a bell, grave and kindly.15General ideas and great conceit are always in a fair way to bring about terrible misfortune.16You cannot play the flute by blowing alone: you must use your fingers.17In Botany there is a species of plants called Incompletæ; and just in the same way it can be said that there are men who are incomplete and imperfect. They are those whose desires and struggles are out of proportion to their actions and achievements.18The most insignificant man can be complete if he works within the limits of his capacities, innate or acquired; but even fine talents can be obscured, neutralised, and destroyed by lack of this indispensable requirement of symmetry. This is a mischief which will often occur in modern times; for who will be able to come up to the claims of an age so full and intense as this, and one too that moves so rapidly?