Publisher's Synopsis
Excerpt from Lord Morley's Criticism of English Poetry and Prose: A Dissertation Presented to the Faculty of Princeton University in Candidacy for the Degree of Doctor of Philosophy
Had Brunetiere adhered strictly to the phraseology of the introduction, the main part of the Evolution des Genres would be without the charm which it possesses; but he has fortunately omitted the technicalities of the theory. His discussion of the development of French criticism is masterly and discreet. The limitations of method, however, suggest two Objections and I may be permitted to raise them without adopting the mocking tone which, according to Brunetiere, is common with critics who reject any attempt to classify and label works of art.
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