Publisher's Synopsis
Mr Granger, at the close of his Biographical History of England, says, "I shall conclude this volume with observing, that Lord Bacon has somewhere remarked, that biography has been confined within too narrow limits; as if the lives of great personages only deserved the notice of the inquisitive part of mankind. I have, perhaps, in the foregoing strictures extended the sphere of it too far. I began with Monarchs, and have ended with Ballad-Singers, Chimney-Sweepers, and Beggars. But they that fill the highest and the lowest classes of human life, seem, in many respects, to be more nearly allied than even themselves imagine. A skilful anatomist would find little or no difference, in dissecting the body of a king and that of the meanest of his subjects; and a judicious philosopher would discover a surprising conformity, in discussing the nature and qualities of their minds." BEGGARY, of late, particularly for the last six years, had become so dreadful in London, that the more active interference of the legislature was deemed absolutely necessary; indeed, the deceptions of the idle and sturdy were so various, cunning, and extensive, that it was in most instances extremely difficult to discover the real object of charity from the impostor. Concluding, therefore, from the reduction of the metropolitan beggars, that several curious characters would disappear by being either compelled to industry, or to partake of the liberal parochial rates provided for them in their respective workhouses, it occurred to the author of the present publication, that likenesses of the most remarkable of them, with a few particulars of their habits, would not be unamusing to those to whom they have been a pest for several years. In order to convince his readers that he does not stand alone as a delineator of mendicants, he begs leave to observe, that several of the very first-rate artists have studied from them. Michael Angelo Buonarotti often drew from beggars; and report says, that in the early part of his life, when he had not the means of paying them in money, he would make an additional sketch, and, presenting it to the party, desire him to take it to some particular person, who would purchase it. Fuseli, in his life of Michael Angelo, says that "a beggar rose from his hand the patriarch of poverty." The same artist, in one of his lectures, delivered at the Royal Academy, also observes, that "Michael Angelo ennobled his beggars into Patriarchs and Prophets, in the ceiling of the Sistini Chapel." Annibal Caracci frequently drew subjects in low life. His "Cries of Bologna," etched by Giuseppe Maria Mitelli, pub. 1660, in folio, are evidently from real characters. It will also be recollected, that some of the finest productions of Murillo, Jan Miel, and Drogsloot, are beggars. Callot's twenty-four beggars are evidently from nature; and among Rembrandt's etchings are to be found twenty-three plates of this description. Sir Joshua Reynolds frequently painted from beggars, and from these people have originated some of his finest pictures, particularly his "Mercury as a Pickpocket," and "Cupid as a Link-boy." His Count Ugolino, was painted from a pavier, soon after he had left St George's Hospital from a severe fever. Mr West painted the portrait of a beggar, on the day when he became a hundred years old; and considered him as a pensioner for several years afterwards. The same person was used also as a model by Copley, Opie, &c. Who can forget the lovely countenance of Gainsborough's Shepherd's Boy, that has once seen Earlom's excellent engraving from it? He was a lad well known as a beggar to those who walked St James's Street thirty years ago. The model for the celebrated picture of the Woodman, by the same artist, is now living in the Borough, at the venerable age of 107.
