Publisher's Synopsis
Korean popular music has in the last decade become a significant model for youth culture throughout Asia. Yet, although the Korean music industry is both vibrant and massive, this is the first book-length work devoted to the subject to appear in English. The book offers a comprehensive account, written by thirteen scholars of Korean Studies, enthnomusicology and popular culture, charting Korean pop from the 1930s to the present day, from genres imitative of early twentieth-century European and Japanese styles (‘trot’ and ‘yuhaengga’) to contemporary punk clubs, rap bands and music television shows.
