Publisher's Synopsis
Jagoda Bednarsky' s (b. Zlotoryja, Poland, 1988; lives and works in Berlin) paintings are pop-cultural and nostalgic borrowings that she transfers into the grotesque register, with allusions to stereotyped role models between hypermasculinity and matriarchy. Unfurling pastel-colored hillscapes composed of breasts, breast pumps, vulvas, figures from Greek myth, and motifs from flora and fauna, Bednarsky' s Shadowland series interrogates traditional ideas of femininity and motherhood. The depiction of the female breast serves as a metaphor referring to the titular " Shadowland," where this part of the body is still perceived as a sexualized object rather than as natural. The title, one might note, is borrowed from a culture magazine first published in New York in 1919 in which the artist spotted Art Deco illustrations that became a vital source of inspiration. Despite the dense aggregation of fraught symbols and referential gestures, the sensual, poetic, and richly imaginative works exude a lightness that stems from their translucency and subtle irony. Jagoda Bednarsky studied fine arts, first at Kunsthochschule Kassel (2008- 2009), then at HfBK Stä delschule, Frankfurt am Main.
