Publisher's Synopsis
Ivanhoe (1819) was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism.
About Walter Scott:
Librarian Note: There is more than one author in the GoodReads database with this name.
Sir Walter Scott books was born on August 15, 1771 in Edinburgh, Scotland. Scott created and popularized historical novels in a series called the Waverley Novels. In his novels Scott arranged the plots and characters so the reader enters into the lives of both great and ordinary people caught up in violent, dramatic changes in history.
Scott's work shows the influence of the 18th century enlightenment. He believed every human was basically decent regardless of class, religion, politics, or ancestry. Tolerance is a major theme in his historical works. The Waverley Novels express his belief in the need for social progress that does not reject the traditions of the past. He was the first novelist to portray peasant characters sympathetically and realistically, and was equally just to merchants, soldiers, and even kings.
Central themes of many of Scott's novels are about conflicts between opposing cultures. Ivanhoe (1819) is about war between Normans and Saxons. The Talisman (1825) is about conflict between Christians and Muslims. His novels about Scottish history deal with clashes between the new English culture and the old Scottish. Scott's other great novels include, i>Old Mortality (1816), The Heart of Midlothian (1819), and St Ronan's Well (1824). His Waverley series includes Rob Roy (1817), A Legend of Montrose (1819), and Quentin Durward (1823).
" I believe Ivanhoe book just misses being a great novel for two reasons. First of all, its characters, although not without subtlety, lack depth. (The exception to the rule is the "Jewess" Rebecca). Secondly, Scott's style-at least as demonstrated here-suffers from a wordiness that continually dissipates the novel's power. It is nevertheless an impressive achievement, original in conception, rich in themes, formidable in architecture, and powerful in its effects. "
" I love(d) this book and was torn between 4 and 5 stars. Can we call it 4.5? Heck, let's just say 5! I read it first long ago and it holds up well over the years (its and yours). A classic for a reason.
You'll find synopsis after synopsis here and elsewhere. But if you like adventure, heroism, romance, loyalty, betrayal...any or all of the above you won't go wrong here.
King Richard the Lion Heart...Robin Hood (Locksley)...Knights Templar...Saxons vs. Normans...Gentiles vs. Jews....Knights from the Crusades....Tournaments...jousts...melees...treachery...single combat...love...loss...reconciliation...heroics! This thing has more to offer than The Princess Bride! Well, no one gets murdered by pirates...and it is a "kissing book," but it's still a great read, and it's a classic so you get extra points! "
