Publisher's Synopsis
Byron, in Don Juan, called Pulci (1432Ã?Â?Ã?±84) Ã?Â?Ã?«sire of the half-serious rhymeÃ?Â?Ã?Â, and modelled his style on PulciÃ?Â?Ã?Âs major work, the Morgante. The phrase identifies the ambivalent quality of PulciÃ?Â?Ã?Âs verse, which was his distinctive legacy to the Ã?Â?Ã?«romantic epicÃ?Â?Ã? of the renaissance, a genre he effectively initiated. Half-Serious Rhymes examines the nature of that ambivalence, tracing its origins in the circumstances in which Pulci wrote and the conflicting expectations of his audience at a time of rapid cultural change; more generally, it seeks to increase our understanding of PulciÃ?Â?Ã?Âs poetic technique, which inevitably brings it into the debate about his relation to and use of his sources (most conspicuously the anonymous Orlando Lauren-Ziano).
