Publisher's Synopsis
The volume Gardens of Madeira - Gardens of the World. Contemporary Approaches displays present tendencies in calling upon the idea of gardens, being a wide-range approach to their literary, sociological and cultural representations. The book`s four parts: "Madeira: A Garden in the Sea?", "Gardens as Temporal and Spatial Category. Cultural and Literary Approaches", "Gardens as an Expression. Socio-cultural Perspectives" and "Re-Creating the Archetypal Garden - Discourses and Practices" refer to vast geographical and cultural areas, starting with the very complex sample of the overseas-yet-European Island of Madeira, and then joining the exemplification material from historical and contemporary European communities (with some luso-centric accents), including examples from the less known Slavonic and Eastern European countries. Those European issues are confronted with various non-European societies such as from Africa, Asia, and both Americas.
Gardens evoke and express in many ways the present human condition, and - as such a process goes on - this book provides proposals for patterns to connect them to the modern and post-modern rules of self defining, reading the Other, interpreting world/national/cultural literatures, as well as to the various attempts to introduce the idea of gardens into the basic spatial and temporal aspects of contemporary communities. It also demonstrates the theoretical and practical attempts to project our "gardens` dependence" on to one of the essentials for contemporary societies which are multicultural, urbanised, technologically equipped and dependent, but which still are keen on reading and constructing paradises as environmental and cultural spaces for both asylum and encounter.
The huge advantage of the book is showing to scholars and the wider public how discourses from the past meet with the quests of both the Humanities and the Sciences for gardening inspirations, not only for the sake of the today's societies, but also when projecting the future of the Earth.
