Publisher's Synopsis
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. ÊLittle CaesarÊ (1931) ÊThe Public EnemyÊ (1931) and ÊScarfaceÊ (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time Hollywood quintessentially defined the genre. The characters the situations and the icons ä from fast cars and tommy-guns to fancy fedoras and fancier molls ä established the audience expectations associated with the gangster film that remain in force to this day. As with their ÊFilm Noir ReaderÊ series using both reprints of seminal articles and new pieces editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood Andrew Sarris Carlos Clarens Paul Schrader and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and ÊThe GodfatherÊ. Parts 2 and 3 comprise two dozen newer articles most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses from ÊWhite HeatÊ to the remake of ÊScarfaceÊ to The Sopranos complete the anthology.
