Publisher's Synopsis
The river of Tavy is a great mountain-carver. From its mud-holes of Cranmere to the walls of Tavistock it is a hewer of rocks. Thenceforth it becomes a gardener, raising flowers and herbs; it becomes idyllic. It goes into Arcadia. And at last it floats ships of war. There is a story in Hebrew literature of a king called Solomon, a man reputed wise, although a fool with women, who desired to build a temple to his God. There was a tradition which forbade the use of hammer or chisel in the erection of a place of worship, because, according to the Mischna, "Iron is used to shorten life, the altar to prolong it." The stones were not to be hewn. The temple was to be built noiselessly. The narrative suggests that Solomon had the stones cut and shaped at some distance from the building site, which was a decidedly Jesuitical way of solving the problem. Myth suggests that the king sought the aid of Asmodeus, chief of the devils, who told him where he could discover a worm which would split the toughest rock. The introduction of the devil to assist in the building of the temple was no doubt of Persian origin, since Persian thought influenced Hebrew literature just as Grecian thought was later to influence that of Rome. The idea of noiseless building, of an altar created by supernatural powers, of burrowing for minerals and metals without tools, is common to the literature of every country. It is one of the stock tales of folk-lore found everywhere. In one place it is a worm which shatters the mountains; in another a black stone; and in another a herb, such as the innocent forget-me-not, and the various saxifrages of the cottage garden. All the stories agree upon three points: the name of the rock-shatterer signifies irresistible force; it is invariably a small and insignificant object; and it is brought to mankind by a bird. That bird is the cloud; and the worm, pebble, or herb, which shatters mountains is the raindrop.