Publisher's Synopsis
This collection blends theoretical writing with techniques of fiction, autobiography, poetry and artwork. Encompassing high and popular culture, it addresses the questions: how are women represented and how do women represent themselves?;The authors look at a range of media from paintings and family photography, through opera, film and TV, to novels and poetry. The traditional boundaries between the "creative" and the "critical" are challenged through a new combination of artistic, poetic and critical voices.;The first section deals with "The Politics of Spectatorship", with essays on Frida Kahlo, the Impressionists, Surrealism and family snapshots. The second section, entitled "Politics/production/performance" looks at the popular film, "Thelma and Louise", natural history programmes and opera. The last section argues for feminist interventions at all levels of cultural production.