Publisher's Synopsis
The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known for his work in the medium of film, however, he always saw himself primarily as a painter. In this study of his lesser known home movies, Super 8 films and the 'cinema of small gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein.
