Publisher's Synopsis
After working in Augsburg and Vienna they came to Regensburg in 1663. Their sculptural reliefs for Emperor Ferdinand III on Ovid brought issues of Empire, iconography and artistic creation into focus. The attached catalogue of works deals with the provenance, restauration, iconography, analysis and reception of their oeuvre. This study provides valuable evidence that a re-evaluation of ceroplastics is long overdue within the canon.
