Publisher's Synopsis
Three BDSM Trilogies!"Consent & Desire & Submission" Older, more educated, and more successful-a professor she first met in Berlin, when she was doing a two-year post-doc there-it wasn't that Klaus "talked Merry over" to his point of view. She didn't "give in." She wasn't "subdued." She BEGGED. Repeatedly. Abjectly. She PLEADED for the privilege of being PERMITTED to surrender. When Klaus *finally* took her? She was GRATEFUL. When Klaus told her-after *allowing* her to marry-that her husband was no longer allowed to see, never mind touch, most of her body? She knew she would obey. Of course she would! What other possibility was there? "Sexual Manners at the Manor" Was Love Going to be Enough? I took just *body-shuddering* pleasure in what we did to each other, with each other, for each other-my husband Godfrey and our Angelique. She and I are both bisexual? The three of us are polyamorous? Sexual power exchange is the coin of the realm? I guess . . . When tragedy struck our household-in Book II: Occupied by an Erotic Army-I initially thought Angelique and I would be okay. But things just kept getting worse. She hadn't said it, but, when Angelique left-in Book III: Chasing Out the Sexual Psychopaths-she had made it clear that she would return, that she would be back when she had mustered the resources. I loved her; she loved me; I believed her. But if Angelique was going to lead a cavalry charge, vault the twelve-foot walls that ringed the estate, come to my rescue? I hoped she knew that we were running out of time . . ."A Bisexual Femdom Romance" Grace had known Angela-or known of her-in college. She'd had an odd reputation: It was said that she simply destroyed men who. . . pretty much deserved to be destroyed: aggressive frat boys, roofie artists, date rapists. They met "The Dark Angel," and then. . . you didn't see them on campus anymore. Sent to Angela initially-so she thought-to have her sciatica treated, she quickly discovers two things. First: The "recreational humiliation" Grace gets from her husband, Finn, is going to get a lot worse: he has damaged women before; Grace's friends are not going to let him destroy her. Under Angela's, literally and figuratively, firm hands, Finn is . . . put in his place. Second-lifelong straight-Grace finds herself immediately drawn to Angela. How far will that go? Once "Finn-free," what does she want to build, in the place of her marriage? And with whom?
