Publisher's Synopsis
Comparative Perspectives on the Rise of the Brazilian Novel presents a framework of comparative literature based on a systemic and empirical approach to the study of the novel and applies that framework to the analysis of key nineteenth-century Brazilian novels. The works under examination were published during the period in which the forms and procedures of the novel were acclimatized as the genre established and consolidated itself in Brazil.
The 15 original essays by experienced
and early career scholars explore the links between themes,
narrative paradigms, and techniques of Brazilian, European and North American
novels and the development of the Brazilian novel. The European and
North American novels cover a wide range of literary traditions
and periods, and are in conversation with the different novelistic
trends that characterize the rise of the genre in Brazil. Chapters
reflect on both canonical and lesser-known Brazilian works from a comparatist
perspective: from the first novel by an Afro-Brazilian woman, Maria
Firmina dos Reis's Ursula (1859) to Machado de Assis's Dom
Casmurro (1900); and from José de Alencar's Indianist novel, Iracema (1865),
to Júlia Lopes de Almeida's A Falência (The Bankruptcy,
1901).
