Publisher's Synopsis
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 edition. Excerpt: ... chapter vii women and children With female readers Dickens was never a prime favourite. One feels very sure that they contributed little or nothing to the success of Pickwick. In the angelic Oliver they began, no doubt, to find matter of interest, and thence onward they might "take to" the triumphant novelist for the pathos of his childlife and to some extent because of his note of domesticity. But on, the whole it was for men that Dickens wrote. To-day the women must be very few who by deliberate choice open a volume of his works. / The humourist never strongly appeals to / that audience. Moreover, it is natural enough that a writer so often boisterous, who deals so largely with the coarser aspects of life, who gives us very little of what is conventionally called tenderness, and a good deal of bloodthirsty violence, should yield to many others in women's choice. For certain of them, Dickens is simply "vulgar "--and there an end of it; they can no more read him with pleasure than they can his forerunners of the eighteenth century. In a class where this might not be honestly felt as an objection, he is practically unknown to mothers and daughters who devote abundant leisure to fiction of other kinds; and representatives of this public have been known to speak of him with frank dislike. One reason, it seems, for such coldness in presumably gentle hearts goes deeper than those which first suggest themselves. If George Eliot was of opinion that Shakespeare shows himself unjust to women, and on that account could not wholly revere him, we need not be surprised that average members of her sex should see in Dickens something like a personal enemy, a confirmed libeller of all who speak the feminine tongue. For, setting aside his would-be tragic...