Publisher's Synopsis
The collection includes an essay on the actress Pearl White and how the emergence of the New Woman on Asian screens provoked extensive discussions in the media about the norms of gender and femininity. Hollywood orientalism and Asian nationalism converged in the images of Asian American stars Anna May Wong and Tsuru Aoki, who were criticized by both American and Asian constituencies for transgressing cultural norms. Other essays offer a feminist critique of films by the Japanese directors Yasujiro Ozu, Heinosuke Gosho, Kenji Mizoguchi, and Mikio Naruse, whose work often captured the position of women in a patriarchal system. Trapped between the progressive paradigms of the New Woman and traditional expectations of appropriate gender roles, and between competing notions of Asian modernity, Asian women stars of the silent cinema constitute a dynamic site for feminist film research.
Contributors. Weihong Bao, Chika Kinoshita, Sara Ross, Catherine Russell, Mitsuyo Wada-Marciano, Yiman Wang
