Publisher's Synopsis
It is hard to speak too highly of "Candida." No equally subtle and incisive study of domestic relations exists in the English drama. One has to turn to George Meredith's "The Egoist" to find such character dissection. The central note of the play is, that with the true woman, weakness which appeals to the maternal instinct is more powerful than strength which offers protection. Candida is quite unpoetic, as, indeed, with rare exceptions, women are prone to be. They have small delight in poetry, but are the stuff of which poems and dreams are made. The husband glorying in his strength but convicted of his weakness, the poet pitiful in his physical impotence but strong in his perception of truth, the hopelessly de-moralized manufacturer, the conventional and hence emotional typist make up a group which the drama of any language may be challenged to rival.
