Publisher's Synopsis
Bristow contrasts the noble interiors of Inigo Jones with more intimate spaces of the period. He then sets the succeeding drabness adopted in many rooms in the second half of the seventeenth century against the era's taste for marbling, graining, and imitation Japan. Moving on to consider the eighteenth century, he shows how the new foundation established by the Palladians came to provide the basis for the lively use of colour by Robert Adam and his contemporaries. Finally he examines how the development of colour theory in the early nineteenth century superseded eighteenth-century ideas and, combined with the Regency taste for the exotic, led to an entirely new outlook, much of which has lasted to the present day. Bristow's book is an essential complement to more conventional architectural studies of form and space and a key text for students of all aspects of the historic interior.
Published for the Paul Mellon Center for Studies in British Art