Publisher's Synopsis
ON June 27, 1879, Ibsen wrote from Rome to Marcus Gronvold: "It is now rather hot in Rome, so in about a week we are going to Amalfi, which, being close to the sea, is cooler, and offers opportunity for bathing. I intend to complete there a new dramatic work on which I am now engaged." From Amalfi, on September 20, he wrote to John Paulsen: "A new dramatic work, which I have just completed, has occupied so much of my time during these last months that I have had absolutely none to spare for answering letters." This "new dramatic work" was Et Dukkehjem, which was published in Copenhagen, December 4, 1879. Dr. George Brandes has given some account of the episode in real life which suggested to Ibsen the plot of this play; but the real Nora, it appears, committed forgery, not to save her usband's life, but to redecorate her house. The impulse received from this incident must have been trifling. It is much more to the purpose to remember that the character and situation of Nora had been clearly foreshadowed, ten years earlier, in the figure of Selma in The League of Youth. Of A Doll's House we find in the Literary Remains a first brief memorandum, a fairly detailed scenario, a complete draft, in quite actable form, and a few detached fragments of dialogue. These documents put out of court a theory of my own that Ibsen originally intended to give the play a "happy ending," and that the relation between Krogstad and Mrs. Linden was devised for that purpose.
