Publisher's Synopsis
This particular paper discusses the issue of musical meaning coming from the viewpoint of several 20th century techniques to linguistic semantics. The content briefly spreads over the problem as it had been seen in the very first one half of the prior century, after which reviews several scientific studies of musical significance in the structural, generative, along with cognitive frameworks. The author's opinion is the fact that conceptual metaphor concept, in the search of its of the conceptualization of music, offers probably the most good justification because of the basis associated with a genuine "musico semantics"
