Publisher's Synopsis
ARL Felman stepped from a train at the Union Station of a midwestern American city. His young face, partly obscured by a blonde stubble of beard, was a passive concealment, and his thin lips and long nose did not hold that stalwart sleekness which one associates with earth. If some joker had taken a Gothic effigy of Christ, trimmed its beard, dressed it in grey and dirty clothes, and forced upon it an unwilling animation, he would have produced an exact duplicate of Carl's aspect and gestures.In the emotional confusion of the railroad-station, with its reluctant farewells and gushing greetings, Carl walked alone and abstracted, and he treated the scene as though it were a feverishly unreal mixture of drama and travesty. He strode with the careful haste of one who seeks to escape from an irritating dream but knows at the same time that his efforts are futile. He was without baggage, and his face held the strain that comes from battling with open spaces and strange faces-the hunted question of the hobo. His face showed two masks, one transparent and passive and the other tense and protesting.
